He is as interested in Melies’ posterity as in making a movie that his descendants can see before they’re adults. You still can’t help admiring the project’s ambition; an odd combo of “Babe: Will Hugo keep them in their seats? Salon Andrew O’Hehir Nov 23, Orlando Sentinel Roger Moore Nov 21, Time Richard Corliss Nov 23, Somehow, for me, this earnest, pretty movie never came to life on screen; it remained a curio in a cabinet, to be admired through a pane of glass. By Metascore By Userscore.
Hugo is Scorsese’s most personal film, from the standpoint of both an artist and a grandfather. Washington Post Ann Hornaday Nov 22, Austin Chronicle Marjorie Baumgarten Nov 29, Overall, however, the manner in which the film blends the tale of an imperiled boy and the history of cinema makes for an ambitious and fanciful ride. Universal acclaim based on 41 Critics. An exhilarating tale of magic, machines, memories, and dreams, Martin Scorsese pulls off the neatest trick of all. With Hugo, Martin Scorsese has accomplished what few in Hollywood are willing to try:
He marshals the marvels of modern movie technology – up to and including the dreaded 3-D – to create a love letter to the earliest of movies and, by extension, to every movie from then to now. Time Out Keith Uhlich Nov 22, Rich and stimulating even when it wanders.
Overall, however, the manner in which the film blends the tale of an imperiled boy and the history of cinema makes for an ambitious and fanciful ride.
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Bursting with earned emotion, Hugo is a mechanism that comes to life at the turn of a key in the shape of a heart. The performances are universally good, the 3-D is utterly gorgeous, and the nutshell history of the early days of movies is inspiring. Miami Herald Rene Rodriguez Nov 23, Slate Dana Stevens Nov 23, Salon Andrew O’Hehir Nov 23, Magical and imaginative, this eye-popping masterpiece from director Martin Scorsese will transport audiences to a place they won’t believe.
He is as interested in Melies’ posterity as in making a movie that his descendants can see before they’re adults.
As well as an engaging fable about a homeless orphan living in a train station, Scorsese’s film is a richly illustrated lesson in cinema history and the best argument for 3-D since James Cameron’s “Avatar.
Instead of sticking with the familiar, Scorsese has followed his impulses into something that feels entirely new but is still distinctively his.
This is a great caret greatest love story.
With Hugo, Martin Scorsese has accomplished what few in Hollywood are willing to try: You still can’t help admiring the project’s ambition; an odd combo of “Babe: An exhilarating tale of magic, machines, memories, and dreams, Kriik Scorsese pulls off the neatest trick of all.
Entertainment Weekly Lisa Schwarzbaum Nov 22, In attempting to make his first film for all ages, Martin Scorsese has fashioned one for the ages.
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He has made a potential holiday classic, an exciting, comic and sentimental melodrama that will satisfy children and adults alike and reward repeat viewings for many years to come. Village Voice Karina Longworth Nov 22, Kritikk kind of cinematic delight is a rarity, a warm and masterfully crafted reminder of why we love to go to the movies in the first place.
The director’s visually thrilling Hugo has real moments of 3-D magic. All the actors are wonderful, including Sacha Baron Cohen as a villainous Inspector.
Tom Fleischman – Wikipedia
Washington Post Ann Hornaday Nov 22, Universal acclaim based on 41 Critics. Young Hugo Asa Butterfielda boy who literally lives inside the clocks he manages in a grand Paris train station in the s, embodies one problem that bedeviled even Dickens: Hugo is a mixed bag but one well worth rummaging through. It’s a complex fusion of film history and personal history, filled with dazzling embellishments and unabashed sentiment about the glories of cinema.
Hugo will take your breath away. By Metascore By Userscore. What sounded like an odd pairing winds up being a perfect fit. Rolling Stone Peter Travers Nov 21, Boxoffice Magazine Pete Hammond Nov 21, Hugo states, in its adamant, straightforward poetry, that old things do matter.
For all the wizardry on display, Hugo often feels like a film about magic instead of a magical film. Perfunctorily mounted as a children’s adventure, Hugo is weirdly staid in its pacing, and the screenplay, by Scorsese’s “Aviator” collaborator John Logan, is full of groaners.