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Almost always there are takers for such heroes, whom viewers are only too familiar with. He has done away with melodrama totally. Abarim Publications’ online Biblical Hebrew Dictionary. Actually that is the strength of the film. Vijay adds to the impact. Some of the crane and top angle shots by cameraman S. Just when Jayaram’s zest begins to turn a little stale, the jolt comes.

All characters, major and minor, have definite, defining traits. Surely “Paarai” has provided ample scope for Sarath and the actor has made good use of the opportunity. The screenplay gets a boost at this point. Both authors were working long after the time which they wrote about, and it seems unlikely that there where multiple, widely inconsistent sources because the authors most likely worked off older sources, or else they would have had critical details wrong, such as the description of a 10th century temple. Some of the crane and top angle shots by cameraman S. Baby Swetha’s naturalness is noteworthy. It can no longer be estimated why one author calls this man Paarai while the other calls him Naarai or why these mighty-men lists, or even the entire books of Samuel , Kings and Chronicles diverge in the first place. Almost always there are takers for such heroes, whom viewers are only too familiar with.

If you can overlook the loudness in the re-recording, Sabesh-Murali, the composers, have done a fairly pleasing job. Till then you are given to understand that kovie police force never entered the village.

Vijay adds to the impact. Entertainment “Paarai” Marked by well-defined characters The husband Vijayan is a villain but he is never shown as harming the wife.

It seems paaeai likely that the Chronicler was trying to tell a different story than the authors of Samuel and Kings. In modern times we do the same thing with movie-remakes like The Bourne Identity, which was a completely different film when Matt Damon played Bourne in than when Richard Chamberlain did it in or covers of songs like I Will Always Love You, which was made into a wholly different entity when Whitney sang it than when the Doll did.

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The Chronicler, however, calls him Naarai the son of Ezbai assuming that Naarai paaraii Paarai are the same fellow. Some of the crane and top angle shots by cameraman S. But it should be remembered that Biblical texts weren’t always holy, and their genre was certainly not journalism which wasn’t invented yet. Abarim Publications’ online Biblical Hebrew Dictionary.

The texts of the Bible are compositions based on legends or earlier sources, which express the intentions of the author.

And the way in which she uses her lashing tongue to keep preying wolves at bay has an appealing sadness. It seems that after millennia of devotion paadai research, we still don’t know enough about the Bible to fully comprehend it, its purposes and its inner workings.

The police suddenly appears to arrest the hero!

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The name Paarai occurs only once in the Bible. Yet when his legs are crushed under a bulldozer and he is writhing in pain, the wife who earlier pleads with the hero that her house is spared watches passively!

Paarai the Arbite is listed among the mighty-men of David 2 Samuel And when he breaks down at the death of his well-wisher, the grief looks very natural.

Bruised by the unpleasant events in childhood, he becomes a cynic and a recluse. The same can be said about the crude yet caring Vinu Chakravarthy, the petty thief City Babu, and the big-mouthed comedian Crane Manohar.

Almost always there are takers for such heroes, whom viewers are only too familiar with. Another not-often-seen feature is a child talking and behaving like one. Surely “Paarai” has provided ample scope for Sarath and the actor has made good use of the opportunity.

And when the story, screenplay, dialogue and direction are by K. Paarai meaning Paarai in Biblical Hebrew. Actually that is the strength of the film. Here the director falters. Peter Haynes’ stunt choreography also deserves a word of praise. We can’t answer the question of why one author speaks of Naarai the son of Ezbai while the other calls him Paarai the Arbite. Both the onlin Ramya and Meena for that matter have played their parts commendably.

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Sriram are visually striking. Just when Jayaram’s zest begins to turn a little stale, the jolt comes. Durairaj Sarath Kumar is a lorry driver who wears his rudeness like a medal.

Baby Swetha’s naturalness is noteworthy. Both authors were working long after the time which they wrote about, and it seems unlikely that there where multiple, widely inconsistent sources because the authors most likely worked off older sources, or else they would have had critical details wrong, such as the description of a 10th century temple.

Ravikumar, an experienced technician, such lapses appear rather strange. He has ,ovie away with mofie totally. Small discrepancies are often blamed on scribal error, but the Sleepy-Scribe theory is in itself debatable, and the difference between the names Naarai and Paarai isn’t subtle.

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Sarath Kumar lends credibility to the role with his robust looks and penetrating eyes. If you have a belligerent Vasantha Ramya Krishnan you also have a quiet and subdued Mallika Meena as a foil. All characters, major and minor, have definite, defining traits. And that’s not at all a strange thing. The screenplay gets a boost at this point. So here’s another rough, rugged looking, likeable man in Mass Movie Makers’ “Paarai.

The meaningful lyric Paaari. It can no longer be estimated why one author calls this man Paarai while the other calls him Naarai or paari these mighty-men lists, or even the entire books of SamuelKings and Chronicles diverge in the first place.

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